Thursday 7 March 2019

Book Review: Wonderful Adventures of Mrs Seacole in Many Lands


In March 1857 Victorian London, a broke, but-far-from-broken Mary Seacole set-about the task of writing her autobiography; Wonderful Adventures of Mrs Seacole in Many Lands.

This is a highly readable book which really comes to life in chapter 2 where Seacole describes her efforts, during her mid-forties, to run a store and guesthouse with her brother on the gold-trail along the panama canal.  The dirty hammocks, the damp floors, the california-gold-hunters-wives-clothed-in-the-same-flannel-shirts-as-their-husbands, the shouting and quarrelling of the hungry travellers, the lawlessness and the sunken-eyes of the cholera-afflicted are vividly brought to life. 

Of particular interest to the medically minded is Seacole's account of a Panama Cholera outbreak, its ghastly affect on people and her efforts to nurse its victims back to health. Her treatment for cholera promoted purging of the gastro-intestinal tract via the administration of mustard emetics and calomel enemas.  She treated the accompanying pain with 'sugar of lead' (a sedative she preferred over opium) and oil, camphor and 'spirits of wine' body rubs.  She promoted rehydration and nutrition through the provision of cinnamon water and porridge – which was particularly important because Cholera often results in lethal dehydration.
 
The majority of the book is dedicated to an equally vivid account of her Crimean exploits. Upon learning of the outbreak of war, the 50 year-old Seacole felt compelled to travel to Crimea and nurse the soldiers that she first cared for whilst they were stationed in Jamaica. 
 
First she travelled to London and made strenous efforts to join Florence Nightingales' group of nurses who were stationed in the Scutari barracks.  Despite her 30+ years of experience nursing British soldiers and dealing with epidemics in less-economically developed countries, she was turned down. So she drew on panama business experience and resorted to plan B, which involved her setting up a shop and guesthouse directly behind the battle lines in Crimea; the British Hotel.

A private letter by Florence Nightingale, notes that she went to considerable lengths to prevent Mary Seacole from joining her nursing team in the Turkish Barracks in Scutari, which was located in Constantinople (now Istanbul) in Turkey.  No clear reason is offered by Nightingale for this decision but it is clear that the 'lady with the lamp' disapproved of Mary Seacoles subsequent activities and did not want her, or her nursing team to be associated with her.  

At the time, Nightingale was pioneering the modern approach to nursing in the Scutari's Barracks hospital, which featured a small number of trained nurses applying a systematic, disciplined approach to nursing care.  Seacole was not alone in being declined a job offer, many other applicants were rejected and a number of her recruits were sent back to Britain for not meeting her exacting standards.  

Nightingale's approach to nursing contrasted greatly with Seacole's traditional, intuitive and highly independent approach, so it was perhaps best that the two did not work together - conflict between the two would of been highly likely.  They did however meet when Seacole spent one night in the Barracks hospital on her way to the front – Nightingale provided her with the hospitals washerwoman's bed.

How radical was Mary Seacole? As a highly independent business woman and warzone nurse, Seacole's activities, whether intentionally or not, must have presented an ongoing challenge to the patriarchy of the time.  Sexism was rife and opportunities for enterprising, industrious women were scarce, however there is no mention of sexism in her account. 

In contrast there are a number of accounts of  racism.  Seacole appears to have minimised its effects on her life through use of her quick wit, her highly in-demand nursing skills, her extensive social networks, her entrepreneurship and her championing of British imperialism and particularly Britain's army.  

Perhaps because of the social norms of the time and her upbringing as the relatively well-off daughter of a scottish army officer and creole nurse, Seacole did not hold anti-war or anti-imperial views for much of her life.  However, her comitment to the Britain and it empire seemed to certainly wane after Crimea as she particpated in at least one protest, in October 1865, against post-emancipation inequalities in Jamaica -  the governor of Jamaica's brutal response was to hang the two leaders of the protests.

Wonderful Adventures leaves the reader with a great sense of Seacole's immense ability to befriend people, and to help them meet their physical and mental healthcare needs.  As well as highlighting her irrepressible spirit of adventure, this autobiography is also a great testament to her determination and popularity:  The second edition of her autobiography was published one year after the first; her activities often featured in The Times, Punch and other newspapers of the time; and a number of benefit concerts were organised to raise funds for her in her old age.

Mary Seacole (2005) Wonderful Adventures of Mrs Seacole in Many Lands. London: Penguin Classics – This is the edition of her autobiography that I read and it featured a very insightful introduction and footnotes which put the life and action of Mary Seacole into context.

Monday 9 April 2018

Interview: BType frontman Stephen Brunton discusses MC Lars and his bands evolution

 
The band is back, but in enhanced form and so is an evolved Stephen Brunton, fresh from a 4-track musical love-letter to hip-hop and Alexa Bliss. Mark Tyers spoke to the BType frontman and nerdcore artist ahead of one of his most anticipated gigs to date.



Mark Tyers: In a few weeks’ time your band is supporting MC Lars in Newcastle - that's a pretty big deal for you right?



BType: Yeah, we are all really excited. I never expected BType as a project to do that well locally, we usually play conventions and niche events, so to score a gig at the O2 [academy] and to have sold so many tickets is a very pleasant surprise! Also, MC Lars is a huge influence on me as a performer and a song writer; he is one of the acts that inspired me to make music, so to share a bill with him is quite a life event.



MT: But it won't be the first time you've shared a stage with him though, you mentioned a gig in Leeds a few years back?



BType: I've had quite a few experiences with Lars, all have been a total joy. I acted as hype-man during his song "Mr. Raven" alongside Mega Ran, which was insanely cool. I've also battle-rapped against him after a gig and introduced him on stage during a festival (Nerdapalooza) in America I was asked to host, so our paths have crossed before.



MT: This is the first gig where you will be unleashing your new band lineup- how have been going and how has your sound changed with the addition of x Critical Strike x to the line-up?



BType: Yeah, alongside me and Cyber-Byte we have recruited Middlesbrough based chiptune act Crit Strike, and welcomed back guitarist Chris Binding full time. Soundwise, we have a more energetic, melodic sound. Chris has moved from acoustic to electric guitar as well which is sounding awesome. We still sound totally unique, but at the same time we have more to offer fans of electronica, guitar music, and hip-hop.



Is this BType's best video to date?

MT: What has the rest of 2018 got in store for you?



BType: We have begun discussing making a full length album, so alongside local and national live gigs, that will be our main focus. We have a few gigs booked for 2018, and may return to putting on our own events. At the moment we are making sure we have a full live set in time for April 21st, the O2 gig. Once that is in the bag, we will restart our quest for world domination!



BType is supporting MC Lars at Newcastle's O2 Academy on Saturday 21 April- for advance tickets and more headover to:








Tuesday 27 March 2018

Interview: Jack Fox talks hip-hop, comedy, drumming, acting and Donald Glover

 
Jack Fox performing at Fitzgeralds Sunderland by Daniel Potts Photography

On the back of two well received mixtapes, Jack Fox (real name: Jack Johnson) along with producer The Harbourmaster are opening the Hip-Hop and Grime stage at the 3aster gig at Independent on Easter Saturday, but there's a lot more to the man than bars.  Mark Tyers caught up with the South Shields rapper, comedian, drummer and actor to talk about his prodigous creative output and the influence of Donald Glover.




Mark Tyers (MT): Last night you performed a set at a comedy club in Liverpool, and then you got the overnight coach back to Newcastle before catching the first metro back to South Shields. That's not the most casual trip in the world and it's not your first out of region comedy performance either- so how is your stab-at-stand-up going?



Jack Fox (JF): I did indeed! It was a very long trip just to do a 15 minutes set! I’m really enjoying my venture into stand-up comedy. I’m happy to be getting a lot of gigs and feel fortunate enough that a lot of people I work with in the stand-up comedy world ask me to come back to their venue. I guess that’s a good sign, right?







MT: Anyone who listens to yours and the Harbourmasters creations (lower case mixtapes I & II) should hopefully pick-up on the tongue-in-cheek lyrics as well as the immaculate samples. Is there any similarity between writing and performing stand-up and rapping?



JF: Firstly thanks for noticing the lyrics are tongue in cheek! I recently got reviewed in a magazine that critiqued my lyrics for being ‘too macho’. I do kind of treat them the same in that I almost start with a punchline and work backwards to make sure the punchline makes sense and is the funniest/best rhyme scheme I can think of.



MT: I read in the South Shields Gazette that you and the Harbourmaster started making music together as bandmates? What was the band like? Did you get out of the rehearsal room?



JF: The band was Martin’s (harbourmaster’s) creation. We were called rainfalldown (yep, all one word) and we did a lotttt of gigs in a lottt of pubs around the north east. We were kind of folk-rock with Martin on acoustic guitar, me on drums, a bassist, keyboard player and a mandolin player. I sort of earned my gigging badges by playing with rainfalldown. I don’t think Martin and I could have predicted we’d end up making rap songs together years later.



MT: Anyone who has been around the local music scene for a while will perhaps be most familiar with you as the drummer for Hivemind (formerly Masamune). How's that going? I see you people have dropped a rather eye-catching video for your latest single?



JF: It’s going well, thanks! We’ve just dropped Bad Disease and a video for it and we’re gearing up to finally put our debut album out sometime this year. There’s a few more things to come from us first though. Keep your eyes out for us!





MT: And you've been dabbling in acting to? Cyber-byte was telling me how Sunderland's 2018 MA film-student class gave your flick a better-than-average rating at their end-of-course screening day.



Towards the end of last year I was fortunate enough to be in 1 of 4 (I think!) online shorts directed by Connor Langley. Connor and I have worked on a project before and out of the blue one day he asked me if I’d like to be a part of his new project and of course I said yes. It was a lot of fun and a learning experience. I’m definitely going to be stretching more of my acting muscles again in the near future.



MT: Donald Glover (Childish Gambino) chose his rap name by sticking his name into the Wu-Tang rap name generator, but that definitely wasn't the case with you – your late grandfather was a big influence right?



JF: That’s right! My grandad was a professional comedian for around 50 years who went by the name Alan Fox (Fox being my Nana’s maiden name and Alan being a generic first name!) Funnily enough he went by that stage name because his real name was Tommy Duffy and there was a famous singer by the name of Jonny Duffy on the scene when he was coming up. Similar to why I wanted to change my name from Jack Johnson to Jack Fox so as not to confuse people!



MT: Talking about Donald Glover- you've pretty much got the same skill set. Sure he can claim he's winning in terms of acting and rapping, but you've got to be the superior drummer right? And whilst you haven't got Ludwig Gorannsson in your camp you've definitely got age on your side- so how’s it going trying to be South Shields answer to him and what have you got planned for the rest of the year?



JF: Haha I appreciate the comparison, he’s a very big influence on me! I’ve always been the type of person to mimic what I’ve been interested in. When I was a kid I used to love dinosaurs, so I’d walk around on my tip toes and scrunch my fingers up and pretend I was a T-Rex. Then when I got into football all I’d wear was football kits and kick a ball around, so as I got older and I got more interested in music, hip hop and comedy I thought “why not!?” Life is too short not to give things you’re going to enjoy a try. As for the rest of the year I’m just going to do more. More Hivemind music and videos. I’m still doing 1 EP a month. Much more stand up shows. And who knows, Donald Glover has his TV show Atlanta, maybe I’ll write, direct and star in my own online web show. Time will tell!




Saturday 10 March 2018

Interview: Tuckage - Invariably



Cover-shot: Tuckage by 90BRO near Seaham
 
With the upcoming release of his fourth solo project; a full-length album titled Invariably, Tuckage has produced a very contemporary sounding rap project all-about the highs and lows of two hectic years.  Mark Tyers caught-up with the La Familia member and full-time  machine-operator to find out more.

Mark Tyers (MT) Congratulations on completing production on your fourth solo project- for those people who don't know you could you explain what La Familia is and your approach to making music?

Tuckage: La Familia is a brand to be honest- we are looking to push the clothing line hopefully this year.  It all started [as] a project name for mine and Sheriff's mixtape, but after a while I thought about branching it out into a group- which I did a short time after.  Right now the approach to what I do is just to love it again.  The last few years have been tough within music but I feel like I’m back on top of things and cementing my name in Sunderland as a young artist.

MT: Where did you record Invariably and what was the process of making it like?

TuckageThis project is all recorded mixed and mastered by me.  I have a little studio in my house so I just use that whenever I wanna get anything down.  I have had a few project thoughts these past 2 year since I dropped a solo project, I just wanted to put all my thoughts and feelings together about what’s happened these past few year [and] I think I got a lot of that down, but the best is still yet to come and I have still got loads to speak about which makes me wanna keep pushing.  Not only just me, La Familia and a few others who I’ve became good friends with [whose music] also really inspires me.



 La Familia performing on stage at Shutdown in Independent - February 2018 by Mark Tyers

MT: As a solo artist you've got a reputation for not being afraid to share what's on your mind. With this album did you have to reign that in at all in order to better collaborate with Sheriff and Mc Halo?

TuckageHonestly I just say what I feel on every track with Sheriff and [MC] Halo.  For people who don’t know we are all cousins so we know everything about eachother, these type of vibes can’t be matched.  We have grew up together, especially me and Sheriff.  We are in the same year so we went to the same school- the level of trust is something that you definitely need within the music business which [is something] I’ve truly learnt the hard way over the years.

MT: You guys headlined Shutdown at Independent a few weeks ago, how did it go from your perspective?

TuckageThe show was unreal!.  We came a bit late which we apologised to certain people who had performed beforehand, which I’m not gonna get into, but I will definitely be putting on another gig in the near future and be asking the [same] artists to perform at my show.  The only thing was we got took off stage early, but we can’t moan we had a good night and went to an after party.  90BRO and Max [Gavins] came back with us, it was one of the best shows yet!  There is more to come from all the artists who performed so keep pushing and believing in your work!
 
MT: What's the future got in store for you and La Familia?

TuckageLa Familia has an EP we are working on.  3 tracks are complete already - it’s just about linking and creating the vibes now.  With us [in La Familia] working different shifts and stuff we try to make as much time as possible to get together, but even if we can’t we always stay in touch.  For me three is no stopping my work, I’m far from finished, I just wanna keep pushing my team and good people around me.

  Shutdown Hip-Hop and Grime Showcase, Independent Sunderland - February 2018 by Mark Tyers

MT:  Is an NNE comeback on the cards?

TuckageUnfortunately I don’t think that will ever happen.  I still keep in touch with certain members, I don’t really know what the future holds but we shall see.  I did believe in NNE so much [that] when we did fall apart I lost a lot of motivation and love for music, which I never wanna do again.  So I’ve kinda put that whole thing behind me, I’m just pushing my team and who ever keeps it real with me.

Tuckage's Soundcloud page: https://soundcloud.com/corey-tuckage-bell

La Familia Four are on Facebook - https://www.facebook.com/Lafamiliafour4/

    

Monday 12 February 2018

Interview: Jonathan Honour - Experience


Originally hailing from Peterlee, Jonathan Honour is one of those people that keeps the NE music scene turning. Always up for a solo set in his time-off work, he travels the NE more than most and also front's Alternative/Indie rock band Nobody's Heroes. With the release of his first album, Experience, Mark Tyers caught up with the singer-songwriter to get his take on the album and the health of the regions grassroots live music scene.


Mark Tyers (MT): So Experience is finally here, how are you feeling?

Jonathan Honour (JH): I'm feeling great thanks, it's one of the greatest moments of my life. It's something that was years in the making and it feels like I have achieved something. This is what I've always wanted, for people to hear and enjoy my music in the same way that I enjoy music.

MT: When you set out to make Experience, what were you aiming to achieve?

JH: I've always just been looking to reproduce the tunes going round my head- it's very cathartic. I wanted to make songs full of catchy hooks with meaningful lyrics people can relate to and I believe I have done. It makes me so happy to create music and hear it played back.

MT: Could you talk us through your album making process? I understand some of the songs were written a few years ago and some much more recently?

JH: They were all recorded in around 5 different recording sessions over a five year period as I took time out when I became a parent. The earlier ones were far more punk based and the latter ones are far more poppy and melodic. I recorded many of the parts myself with help from some friends and band members.



MT: The artwork on the album is certainly eye-catching, whose the artist?

JH: I love the artwork I wanted something in homage to classic punk and rock-n-roll albums-very retro with a modern twist as I think it sums up the music. The artists were Lauren Waite and Sarah Bentham at the Catalyst Effect who are lovely people who share many of the same beliefs and values as me.

MT: What do you make of the NE Live music scene at the moment?

JH: It's increasingly difficult for original artists to survive in the local scene, especially alternative ones like me. A lot of it boils down to what's in the mainstream and it would be nice to see more variety like you did 20 years ago and less X-factor style artists! I'm not denying their talent but many lack creativity. There's still much original talent out there in our area.

MT: When and where can people catch you performing live?

JH: I've been gigging steadily over the last few years just having great fun playing both solo acoustic shows and with my alternative band Nobody's heroes. I'm playing the Voltiguer in Spennymoor on Sunday 11th February, Live in Durham 15th February and the Grey Horse in Ferryhill 1st April- all solo shows of originals and covers.

Experience by Jonathan Honour is available to stream or download on Spotify, iTunes, Deezer, Amazon and many other music websites.


Monday 29 January 2018

Review: Sunderland Holocaust Memorial Evening - a much needed antidote to a less than stellar 2017

The perfect venue - Sunderland Minster by Mark Tyers




The holocaust reminds us of what happens when good people do nothing”



This was sentence with which Marta Joseph, daughter of a holocaust survivor, chose to end her talk about her fathers harrowing experiences to warm applause from a packed Sunderland Minster on a cold Monday evening in January. The occasion? Sunderland's 2018 public commemoration of the Holocaust.



The memorial evening was a visceral success on many different levels, a great addition to the events nationwide marking the anniversary of the liberation of the Auschwitz concentration camp by the USSR. The turnout was extraordinary - so packed was the church that extra chairs had to be taken out and placed around the edges of the pews as people were coming in. So was the diversity. People of all ages, races and religions were present, from elderly nuns, to assylum seekers, to Redby primary schools's choir who stole the show with their rendition of Labi Siffre's 'Something inside so strong'. They also read out pastor Martin Niemoller famous speech:



First they came for the Socialists, and I did not speak out /Because I was not a Socialist.
Then they came for the Trade Unionists, and I did not speak out / Because I was not a Trade Unionist.
Then they came for the Jews, and I did not speak out/ Because I was not a Jew.
Then they came for me / and there was no one left to speak for me”


Representing Sunderland Inter-Faith Forum - Zaf Iqbal


As an event it was a beautiful and simply choreographed public outpouring of thought and emotion structured around readings, music and prayer. Sunderland University and Caedmon choirs both performed as did young solo violinist David Bierman with a heart-tearing rendition of the theme song from Schindler's List. Some of the “great and the good” were also present- readings were heard from the Deputy Lord Lieutenant of Tyne and Wear; Professor Peter Fidler, Arch Deacon Stewart Baines and Deputy Mayor Lynda Scanlan.



The evening did not simply dwell on the Holocaust, Rwanda, the Kmer Rouge or other past genocides. The plight of the Rohingya refugees facing their own present day genocide in Burma was also discussed. The church proved to be a perfect venue, enhanced by a display of photographs of people with Down Syndrome, curated by Down Syndrome NE. This was poignant beause the Nazis also tried to eliminate the disabled as well as the Jews.



Perhaps most importantly the evening was a much needed antidote to Sunderland's less-than-stellar 2017, a year which saw it gain something of a national reputation as a place of intolerance, of being anti-European in the wake of it's vote for Brexit. It also saw Britain's most infamous racist; Tommy Robinson use a local rape case to whip-up hatred against Muslims and recruit new members to his latest far-right group – the Football Lads Alliance. This event demonstrated that many Sunderland residents welcome diversity, oppose racism and actively make common cause with their neighbours, regardless of religion or culture.



Sunderland Inter-Faith Forum and all the performers and attendees at this event deserve considerable congratulations for coming together to put on an event which surely must become an important and established fixture on Sunderland's cultural calendar. Here's to hoping next year will be even bigger and better and that it's other events, such as the inter-faith walk continue to flourish.

Sunday 14 January 2018

5 Questions: 90BRO

90BRO performing at ObSceNE by Decibel42 Photography

I first met Rizwan Yousuf (aka 90BRO) back in 2015 when his rap collective; New North East (NNE), performed at a fundraising gig I was promoting. They were inexperienced but made rapping look like the funnest thing in the world. Since that gig, 90BRO and the rest of the members of NNE developed their art and then some, releasing dozens-upon-dozens of mixtapes, EPs, making their own music videos, with 90BRO directing, and of course gigging.  

2017 was a watershed year for 90BRO and the rap sceNE.  Finally a dedicated grime and hip-hop open mic called ObSceNE was launched by Hash Rotten Hippo, with 90BRO as the resident DJ.  Then the festival invites came, culminating in 90BRO and others doing their thing onstage at Lindisfarne. 2018 though sees 90BRO and too some extent the NE rap scene at a crossroads...




MT: Let's start off with your brand new EP P.A.K.I. (Patient. Ambition. Karma. Intuition). Track number 2; Airplane Mode, with it's incredible Jazz-influenced beat is, on the surface at least, the kind of good-time track I associate you with. But if you listen to the lyrics of it and then add that with the “taking it way more than personal” frustration, barbed-arrows and on-a-downer-vibe of Terminal and 2018BRO it's clear that you are at something of a crossroads in your artistic journey – could you tell us more about the feelings and experiences you are talking about in it? For example in light of some of your recent facebook posts it now seems pretty clear that parts of those tracks are aimed at Ken Masters and also Northentic Records?

90BRO: It may be taken as a downer vibe for some of older gen but it is a battle cry for the new. This is OUR TIME. They can help us or get out of our way but we are doing it regardless. P.A.K.I is my sister project to RaJi. Soundcloud raps without conventional song structure. I had some lyrics for 2018BR0 for some time.
 
That record label facebook group bar was going on my demo Cybersoul to be honest. It pertains to more than Northentic Records, cliques and groups new and old. Facebook groups that are not labels on paper. I get it, you meet a group of artists you connect with, you want to promote release stuff together. I never want to break up collaboration. Build others up and encourage talent when you see it - that is how you grow a scene. The younger gen is starting to get it now but still there are so many one man brands and platforms. It is a sad state of affairs when many of us essentially share the same goals. 
 
Ken Masters is commited to misunderstanding me. After he went at me publicly I left a reply saying let the music do the talking, meaning leave it off Facebook, and he still took it personally. He inboxed;"very brave, good luck" like I was going to diss him. None of this was about him. During one of the most trying weeks of my personal life all I heard online was that me and Ken had beef which I never instigated at all. When you have 100-plus people messaging you at the same time as working on studio set-ups, recording, mixing, shooting and editing music videos while travelling across the region, broke and essentially homeless you really don't have time to reply to everyone straight away. We, Ken and I, even started to get somewhere, albeit agreeing-to-disagree until I caught him crowdsourcing opinion against me and the comments he continued to leave and like. I was not up to speed on all of it until the Thursday night. Had he heard any of the prior podcasts or my in depth interviews, or any of my music, or known me personally, he would have known what I am about and that I was speaking for artists not being exploited.
 
Reali-T is a brother to me. I discovered Sutherlands music through Soundcloud and we have collaborated many times. His music has got me through hard times and I believe him to be one of the voices of our generation. I owe Seek an apology. We briefly discussed it online and agreed to meet in person. The initial excerpt of Seeks interview made it out that Sutherland was someone not to work with. Having read Seeks full interview, which was released later, I respect his side of the situation a lot more. I implore others still invested in this situation to read that interview in full also.



Rated highly by 90BRO but not by some traditional Hip Hop heads: Tees Grime Family

MT: The disagreements which were mentioned above seem to be symptomatic of a few wider processes going on. Yourself, Tees Grime Family and the younger-generation of local Hip-Hop and Grime artists have, artistically speaking, reached a certain level of experience and confidence with your sound and direction but, with some exceptions, it's pretty different from traditional ideas of what rap music and culture should be and because of that some of the local hip-hop purists can't stand it and have been telling you so. Do you feel there's a real divergence there between the old and the new?

90BRO: I can not in any way shape or form take credit for what TGF [Tees Grime Family] have done and are doing. I support it wholeheartedly, they have massively inspired me. Hip Hop has always been about being innovative and different. If it is not fresh it is wack or played out. Even the word “fresh” is old now. It is that innovative spirit that gave it such longevity and why it was the most listened to genre of 2017.

We had the rock and roll generation we are bang in the middle of the hip hop generation. Where you started to get punk rock, alt rock, heavy metal, indie etc. that is where Hip Hop is now. At 27 I am seen as old by much of the younger gen and young by the older. Much of the music from the younger gen locally is very D.I.Y. and not exceptionally well mixed or mastered, which sadly turns people away from listening to some exceptional and promising young talent.

Since New North East I have been focused on convergence and celebrating and embracing the differences. Tehuti Gold sold me on the movement: 'Unite the North East through positive conscious movements.' He is owed far more respect than he gets. I spoke on Tuckage being “the wave” on Terminal but Tehuti was at a time a beacon of light and a positive influence that we all needed. I went into it on airplane mode, “a passion you could never fathom just have to believe us”.

I thrive on working with unique artists that have contrasting musical styles and making it work regardless of age. It's amazing to see artists liking other peoples music at events you would never have thought. It is a different world online though, symptomatic of both old and new. The bitter cynics are the ones that are not making music or being creative.


Not just a rap-artist - 90BRO is a developing film-maker and has directed a number of music videos including this one.

MT: Another part of the divergence between the older and younger NE rappers seems to be over career routes. Back in the day the plan would have been to get signed by a record label, but of course since Napster, and Chance the Rapper and Stormzy, that has all changed. Locally Zico and NATO are making significant money from music through being club-night hosts. So what careers paths do you think NE rappers should be trying to go down?

90BRO: Music is the answer. Some people use it as a springboard to other creative career paths, myself included. As I say in an upcoming collaboration; Mission Complete, with Halo of La Familia, "you can never lie to the beat." My advice is be careful of what ownership you relinquish and own the rights to your music and content whenever possible. Doing the research on how things work. 

We all have the internet. In this Digital Age it has never been easier to make music and [it is] getting harder to make a career from it. Touring and merch. sustain many independent artists. If you want to make it a career, develop long term relationships in an industry that is constantly thinking short term. It thrives on the naivety of talented young artists. Much of what labels used to do we can now do ourselves.
Quality management can help navigate the industry and let the artist focus on artistry. I suggested NNE get management many times and to Reali-T personally many moons ago. If you do go with a label or get a manager have "the conversation" before signing. It is better to have a full discussion, establish [whether] you have the same goals and ambitions and how you can benefit each other early on than to run into problems down the line. Transparency needs to be paramount. Regardless there will be problems as with any collaboration as well as goals changing and artists growing and developing, but when you trust who you work with, you work those out together. No one that I can see, including me in the North East in particular, understands promotion and distribution properly. That is something we all need help with. 



MT: Could you tell us a bit about the successes of 2017? It seemed like the NE rap SceNE took a big leap forward with Hash Rotten Hippo collaborating with yourself and others to establish a dedicated open-mic in ObSceNE and also with the various invites to perform at Lindisfarne, the Bridge and other festivals.

Like I say in the track Prodigal from the RaJi project; “The North East is back making conceptual projects”. We have a regional culture in North East Hip hop, and yes, grime to, that we can and should be proud of. The Blitz Vs. Just B actual battle was incredible. I was disappointed that the audio quality was sub-par when it was uploaded online and the editing was shoddy - though I'm not the best to talk myself as I'm still learning. I see BlitzfromtheBoro is battling in Manchester in Feb., really looking forward to that.

Reali-T's Album launch party and countless ObSceNEs have brought creatives in the same room, the collabs happening off the back of those made for some great music. I had the pleasure of meeting and getting to know a lot of local artists I have been listening to for years. Our cypher after ObSequel in particular was extraordinary.

On a personal level I learned much, shooting music videos for many local artists I respect. DJing at Seaham Carnival with LaFamilia was a major highlight of 2017. Shooting the Angel Dust video simultaneously was a satisfying challenge.  Eum became notorious for going first at ObSceNE. I was delighted when he agreed to let me shoot the vid gogh. B.E.N's Livin by the minute video was an early shoot I am very proud of - many have shot vids on the High Level Bridge but we actually got under it! The Smile for the camera vid was surreal. To have such elite local talent converge in the middle of Hendon to shoot water guns at each other. We had a blast!

I am still learning. I see film making as a natual progression for me creatively. Lindisfarne is a truly unique festival like I have never seen and I was grateful for the opportunity- I hope it continues to grow. More events out of the region is the next progression. As I also say in Prodigal; "Why preach to the converted?" Once galvanized let us share our culture with the rest of the UK.

Every ObSceNE came with at least one pleasant surprise. New artists, or at least new to me, include Big Fletch, Jack Fox, Pharoah ba, Alex Bailey and John Dole. Emilio Parker has grown so much musically and as a person since I first met him. I am glad he dropped by the last event and wish him well in the year to come.




MT: Your DJing and performing at Independent on the 23 February as part of the Shut Down night. What else have you got planned for 2018?

90BRO: Performing and DJing at Shut Down is full circle for me. I learned so much from the Wearsiders Presents events we used to put on monthly. Last year I got to DJ and perform at Riverside, the O2, Tynemouth and been in more bedroom and professional studios than I could hope to mention. So to return to Sunderland DJing and performing after working across the region with the experience I have now I hope to put on an epic and historic night and help to showcase the breadth of our local talent. Independent has an exceptional sound system also and is a great venue to experience our local grime scene. I implore hip hop heads to come too it is an eclectic line up. Tees Grime Fam are an all star line up in itself!

Big Fletch put me onto N.E. Dons. They have gained a rep for merking cyphers and always light up the crowd at ObSceNE, I am very intrigued to see their solo set. E-Mence is the artist to watch in 2018. He is a prodigy that produces his own music and is a consummate professional to work with. Listaa is in beast mode this year, the shining light of our sunny Sunderland. LaFamilia always bring infectious energy and incredible stage prescence- Ceremony in particular will shut the place down. Me and Max Gavins have a project in the works that will turn heads one way or another. That and my demo CyberSoul. I'm working out what to perform given how much music I have released and unreleased, solo and collaborative. It is going to be f**king insane. I can not wait!